Hong Kong’s comedy kings Dayo Wong and Michael Hui reunite for a surprisingly serious-minded drama exploring family dynamics and the burden of tradition.

In an era preoccupied with misinformation, a new book tells the story of how the moving image has been wielded to shape opinion and push British political interests. Here, author Scott Anthony looks ...

The last film from Tibetan director Pema Tseden takes on a mystical quality as a Chinese television crew arrives in Tibet to report on a farmer who has taken a snow leopard captive for killing his ...

Elizabeth Sankey’s candid personal reflection on post-partum psychosis is at its strongest when it moves away from the fiction of witchcraft in cinema, and to the real-life experiences of the women ...

Cold War intrigue to a jazz beat, a box of serials, and our new favourite Christmas film. What are you watching this weekend?

He was the kid trained by Bruce Lee in Enter the Dragon, but he went on to become one of Hong Kong’s most acclaimed action choreographers. Stephen Tung Wai looks back over 50 years of kung fu and ...

The Citadel, the gravity gun, the headcrab. Valve Corporation’s 2004 first-person shooter was a masterclass of game design that has endured, inspiring waves of video games, film and TV since.

This guide gives you advice and recommendations on how to apply to the BFI NETWORK England Early Development Fund. We can only make awards to projects that have been submitted to us through the online ...

The BFI NETWORK England: Early Development Fund supports the early stages of development for debut long-form projects. This fund is now open and closes at 11am on Tuesday 19 November 2024. This fund ...

RRR may have blown the doors off internationally, but India has been making explosive action films for decades. Here are some of the best.

Reporting against our inclusion targets using self-identified diversity data from our employees and those receiving National Lottery funding from the BFI. We’re committed to being inclusive. In the ...

Three Costa Rican women are incarnated into a 71-year-old woman in Antonella Sudasassi’s graceful exploration of ageing and sexual desire.