Juno and Paycock with Mark Rylance and J Smith-Cameron
Opinion
Juno and the Paycock with Mark Rylance and J Smith-Cameron: a show too in thrall to its stars
Among Mark Rylance’s qualities as an actor is, it transpires, the ability to convey a man utterly stupefied by drink. As Jack Boyle – the feckless Paycock of Seán O’Casey’s 1924 comic melodrama – he stumbles into the crumbling Dublin apartment he shares with his wife,
Juno and The Paycock: Mark Rylance’s charisma knits together a crowded production that needs room to breathe
Despite the marketing behind it, Matthew Warchus’s play doesn’t do much to update either the gender roles or the aesthetic of this stubbornly traditional Irish masterpiece
Juno and the Paycock review – Mark Rylance and J Smith Cameron fail to spark
In part, this is thanks to the play itself, written in 1924, and perhaps the most difficult of the author’s “Dublin Trilogy” to stage, thanks to its combustible mixture of comedy and tragedy. But Warchus has chosen to exacerbate its problems, turning the comedic elements into vaudeville farce and tipping the conclusion into portentous solemnity.
Juno and the Paycock – Gielgud Theatre | Review
There were, occasionally, some worthy observations in this play that goes on for at least twenty minutes too long.
Juno and the Paycock at the Gielgud Theatre review: Succession star J. Smith-Cameron is splendid
Succession star J. Smith-Cameron is splendid - 3/5 Despite the actress’s great performance, Sean O’Casey’s tragicomedy has dated badly and the production plays it strangely like a black-and-white slap
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'Juno and the Paycock' review — a dominant Mark Rylance relishes the vaudevillian comedy in Séan O’Casey’s play
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