R ichard Carroll’s production of The Pirates of Penzance is the very model of a post-modern major musical. In gleeful ...

Crisply directed by Andrea James, with simple but stunning design by Isabel Hudson, and similarly inspired lighting by Verity ...

O ur Monster’s Name is Jerry by Amy May Nunn aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by ...

S chool girls enter the stage like silhouette paper dolls from behind a prim floral scrim in Kim Hardwick’s production of ...

C ambridge dictionary defines melancholy as “ sadness that lasts for a long period of time, often without any obvious reason ...

These relatively minor, but important matters should not be allowed to detract from this otherwise excellent production, ...

Heart On A String an original song written by Jessie herself, was a moving rendition of heartbreak and romantic loss.

Our Monster’s Name is Jerry aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by technical issues ...

Australian Shakespeare Company’s Macbeth adeptly illustrates why the play is still relevant over 400 years after its writing.

The central story of Mahabharata is of rivalry between two branches of the same family which culminates in a disastrous war.

Period perfect and defiant in its resilience to dodge the wrecking ball since 1927, Melbourne's glorious Palais Theatre set the evening’s mood long before Orchestra Victoria had even played a note of ...

F irst the good news. Skeletons – winner of the 2024 Fringe World Overall Comedy Award – is back for 2025! Another chance to catch the award-winning sell-out, rave-reviewed, true story about a doctor ...