The Art Institute’s wide-ranging collection is a testament to thousands of years of human creativity and artistic ...
The Child’s Bath is a tender portrayal of familial closeness, a subject that Mary Cassatt explored throughout her career. The caregiver’s cheek brushing the child’s shoulder, her encircling embrace, ...
The two little circus girls in this painting are Francisca and Angelina Wartenberg, who performed as acrobats in the famed Cirque Fernando in Paris. Although they were depicted in the center of a ...
Marc Chagall made America Windows to celebrate the US Bicentennial and presented them as a gift to the Art Institute of Chicago in 1977. The windows merge symbols of US history, the Chicago skyline, ...
Finely dressed and carrying an elegant walking stick, influential French artist Édouard Manet appears before a stark background evocative of his own paintings as well as photographic portraits of the ...
Leonard Foujita, Tsugiharou Foujita, Tsugouharu Foujita, Tsugouharu Fujita, Tsugouharu Leonard Foujita, Fujita Tsuguji, Fujita Tsuguharu (Léonard Tsugouharu Foujita) ...
In 1893, three years after buying property at Giverny, Claude Monet began transforming the marshy ground behind his home into a pond, on the narrow end of which he built a Japanese-style wood bridge.
This female angel is one of many that Abbott Handerson Thayer painted during his career. Originally a painter of animals, Thayer created portraits and then ...
In the summer of 1867 Claude Monet stayed with his aunt in Sainte-Adresse, an affluent suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors on ...
Adjacent to Millennium Park and steps away from Lake Michigan, the Art Institute of Chicago sits in the heart of the city’s downtown. The museum offers two entrances: the doors to the original 1893 ...
Here Claude Monet’s future wife, Camille Doncieux, sits on an island in the Seine River, looking toward the hamlet of Gloton, next to the town of Bennecourt, from which she and Monet have presumably ...
Untitled (Purple, White, and Red) follows the characteristic format of Mark Rothko’s mature work, in which stacked rectangles of color appear to float within the boundaries of the canvas. By directly ...